Movies sharing traits with Alex Proyas’s 1998 neo-noir science fiction thriller typically characteristic a mix of dystopian settings, noir aesthetics, and thematic explorations of id, reminiscence, and actuality. These movies sometimes current protagonists grappling with existential questions inside visually putting, typically claustrophobic, city environments. Examples embody visually wealthy narratives set in altered realities or these exploring the character of free will versus predetermined existence.
Such narratives resonate with audiences by tapping into elementary anxieties in regards to the human situation and the character of perceived actuality. The enduring attraction of those themes, coupled with the stylized visuals typically employed, has solidified their place throughout the science fiction style and contributed to a wealthy cinematic custom. Traditionally, these themes may be traced again to German Expressionist cinema and movie noir, influencing subsequent generations of filmmakers and contributing to the event of neo-noir.
